Virtue Signaling, Wisconsin by Tiana Clark
You couldn’t know this loneliness…
–Natalie Eilbert
My first night in Madison the air was different—
cool, less sticky. The street was quiet, weirdly stagnant.
Our house, a pale yellow. I straddled the isthmus,
felt ice chip between both lakes like frozen lace.
I’m hyper visible now, so seen, so everywhere, then suddenly
nowhere—so much so, I became Muzak to my own face.
Now I’m being followed inside a grocery store. Down each aisle,
then back again. Now I’m being stalked inside a restaurant.
I switch seats. But it does not matter. I feel it all: the eyeballs
of this town scorch the back of my neck, skin already darker there.
I want to pluck all the signs I see stapled across
these manicured lawns that read: Black Lives Matter.
I don’t believe you. There is a sign you buy because
you want so badly to believe in what it has to say,
and then there is a sign you buy because
you want others to believe you are brave.
A sign can’t save my life? You will not spare me.
I watch as you watch me I watch
as my white students watch me I watch me watch me, smaller now
than when I first moved here. Lost a quarter of an inch
my doctor said. Most days I wait
for the bitter winter to end. Most days I wait for another black
person to pass me. Most days they never come.
Most days I wait for another black person to save me
and we hold the gaze. We do not smile or lie. A simple nod
simply saves my life.
Tiana Clark is the author of Equilibrium (Bull City Press, 2016). Her first full-length collection, I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, forthcoming 2018), won the 2017 Agnes Lynch Starrett Prize. Her writing has appeared in or is forthcoming from The New Yorker, Kenyon Review, American Poetry Review, and elsewhere.
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