Acupuncture by Eliza Rotterman
In the pale inner calm of my forearms
needles resonate, two poles
from which densities and motives
bluely elaborate. I am in the city
but above it, looking out from the second floor.
It’s raining so I close my eyes.
A silver argument
of sea extends to where water and sky
are yet to complete
dissolution. I was there
yesterday in a thrift-store wetsuit,
re-inhabiting the experience of immersion.
The part of me I can’t see
increases with depth. I call this my shadow body,
the life navigating below. Brushing my legs,
a flick of vertebrae, the silk
grip of kelp, a swarm of micro-currents
dissipating. The last time I swam
it was a different ocean,
a different expectation towards which
I drifted.
My mind archives my body in time.
This is a feeling, the rippling place, the foam
where a cormorant has just dove.
I can’t tell you if my fears
are becoming more numerous
or more specific. The pericardium
is a double-membrane
surrounding the heart,
layers slide against each other
correspond to the points on my forearms
where needles press.
Last night the green waves,
an electrocardiogram
traversed the screen.
It’s my job to interpret slope
and deflection. But now I want
to remember my feelings about the heart
before this. A blue whale washed up.
We approached the whale as if it shared likeness
with something we’d seen before,
didn’t want to see again. And yet
we pulled out phones, took pictures
as the sun flared in the interstice
of cloud and water.
No one could explain why the whale appeared
to be boneless, like a broad shallow stone.
I told my friend
I was going to think about the whale
as I fell asleep, its large heart
traveling districts of cold salt.
We closed in,
pulled scarves over our noses,
the death-musk a molecular shape
the oldest region of the brain
recognizes. Maybe you were next to me
or maybe you had turned
to walk back. It’s not desire
between us but something else. A frequency
low and slow
like the color red, our thoughts
sliding against each other
in correspondence
elaborations
waves
Eliza Rotterman’s work has appeared in Poetry Northwest, TheVolta, Quarterly West, Colorado Review, TYPO and Poetry International, among others. She has received two fellowships from the Vermont Studio. Her first chapbook Dirt Eaters will be out from Tupelo Press in 2018. She lives in Portland, OR, and works as a nurse.
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