2 Poems by Esther Sun
Sister
After Catherine Pond
What if August never ended.
What if August never began.
What if wild mushrooms grew large as oaks in my backyard
……………and the moon a small white heart in the haze.
What if I did things differently.
What if I was light through the shutters, foaming.
What if I could set fires with my fingers.
What if I could help you sleep.
What if in the mornings you unwrapped pear trees
……………like peace offerings, forgiveness.
What if in another room I sliced up elegies,
……………placed them gently in pianos’ mouths.
What if for weeks I went for midnight runs to make my limbs feel useful.
What if I took bullet trains away from you, from LA to Xanadu.
What if you were less steady, a large oak tree mushrooming hills.
What if yours was the night’s bright heart.
For years I let no one touch me. I had myself
……………to preserve. But what if tomorrow
I could eat pears with you slowly, piece
by piece, in a wind-washed spring.
Quiet catching in our throats.
Seven Retellings of the Myth of Chang’e and Hou Yi
I.
Divinely beautiful, Chang’e
lives with her husband,
Hou Yi, in the heavens.
After his salvation
of the Earth, which leaves
nine of ten suns dead, she
swallows too much
Immortality to make up
for what is lost. She floats
to the moon. He cannot
bear to shoot her down.
II.
In the heavens, Chang’e
works for the Jade Emperor
as a servant girl. After breaking
a porcelain jar, she is banished
to Earth, where she meets the mortal
Hou Yi. Where rice fields look
like grass sprouting from mirrors.
When he grows hungry
for divinity, Chang’e swallows
the Pill of Immortality in exchange
for everything. She floats
to the moon. He aims and fires.
III.
Beautiful, almost divine, Chang’e
lives in the mortal world
as a palace maid. Every night,
pillars catch flame in her dreams
until one day Hou Yi,
the archer, topples them
with arrows the size of spears.
Holding Immortality on her tongue,
Chang’e floats to the moon, though
she still sees burning in her sleep.
IV.
Ten suns torch
the Earth.
He brings nine
to their knees.
On the moon,
a cassia tree
refuses to mourn
for anything.
V.
On her way to the moon,
Chang’e time travels. Steals
silphium from 5th-century Rome.
Learns the Kaddish at a synagogue
in Williamsburg. Tells herself
an eternity without him
is still eternity. Loss
without having truly had him
is not loss. Is not. Is not.
VI.
As Hou Yi draws the bow string
to his ear, he remembers the pillars,
the porcelain, the mirrors.
VII.
Divine, almost beautiful, Chang’e
swallows Immortality and floats
to the moon. For hundreds
of years, the lanterns mortals light
for her from Earth look
like small fires, like arrowheads
in an open field.
Esther Sun is a Chinese-American writer from the San Francisco Bay Area. A two-time Pushcart Prize nominee, she received a Gold Medal Portfolio Award in the 2021 Scholastic Art and Writing Awards, as well as honors from the National YoungArts Competition and Bennington Young Writers Contest. Her poems appear in DIALOGIST, Cosmonauts Avenue, Pacifica Literary Review, and elsewhere. She attends Columbia University as a John Jay Scholar.
28 February 2022
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